Teo Hernández Movies

Outtakes from the movie

Outtakes from the movie

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

An autobiographical film that orchestrates the fragments of Michel Nedjar's life, to compose an architecture. The family films shot by his father,...

Sara's bucolic pseudo-portrait, mother of the filmmaker, black and white photography and conceived for her projection in the interpretation of a huge...

Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).

The desert, the sea, someone. I meet Michel Nedjar; together we went to the south of Morocco. There, a movie begins to take shape and develops as our...

The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

Outtakes from the movie

With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the...

Fugitive images of the northwestern city of France.

A personal interpretation of Oscar Wilde Salome from three basic elements: the light, the color, and the projection speed.

Outtakes from the movie.

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.