Gaël Badaud Movies

The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue...

The purpose of the film is to go beyond the notion of the body as a system of functions, symptoms and reflexes that try to delimit the whole body....

With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the...

Experimental short by Teo Hernández.

Experimental short by Teo Hernández.

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

A gong will never abolish chance? If chance is travesty of desire, and desire movement without measure, cinema is vibration of this desire in fugue.

Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against...

One of my last films to be made indoors was La vie brève de la flamme. I used light in a very expressionist manner — still with the...

Outtakes from Maya

An approach to Gaël Badaud and his activity as a painter: the birth of his paintings and the tight bonds between his work and his personal...

The construction of the film outlines the successive steps of a path that, as we move forward, reveals the different stages of its presentation: the...

This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor...