Harry Gamboa Jr. Movies

Venturing from Venice Beach to Watts, Varda looks at the murals of LA as backdrop to and mirror of the city’s many cultures. She casts a...

The extraordinary Chicano art group of the 70's-80's, ASCO, who merged activism/art and challenged representation in the art world, politics, and...

The Chicano nuclear family dines on angst, cold cuts, and fishy propositions. (3/4 in. video; color)

A woman reveals her recipe for burnt relationships as she bakes her cake and eats it too. Premiered at the Museum of Modern Art, New York. (SVHS;...

A couple disengage in silent bordom. (3/4 in. video; color)

A rude awakening for a man who battles the world on his way to a permanent deep sleep. (3/4 in. video; color)

A possessive relationship results in passive/aggressive rejection and destruction (in memory of Lorraine Ordaz). (3/4 in. video; black and white)

Crossing-over is never accomplished when bridges crumble early as fragile ideals. In memory of Lorraine Ordaz. (SVHS; color)

A street artist alters the urbanscape with images of guns as he paints his way towards peace. (SVHS; color)

Rotten eggs make the marriage as love is scrambled beyond repair. (SVHS; color)

A man declares his humanity as he struggles to push psychological boulders from his path. (SVHS; color)

The Chicano nuclear family experiences a meltdown at ground zero of urban L.A. Included in the 1995 Whitney Biennial. (SVHS; color)

Humberto Sandoval searches for reasons why there are no pyramids in Aztlan. (SVHS; color)

Spies have too many eyes looking out where they don't belong. (3/4 in. video; color)

Marie Antoinette offers to babysit a difficult child while a single mother tries to regain her happiness and identity. (3/4 in. video; color)

The search for the truth takes a man through the abyss of urban falsehoods where he encounters those who would follow him to the nearest social exit....

Film by the Chicano performance and conceptual art group ASCO.